Recommended Recording Concerto Italiano Roberto Alessandrini (conductor). (Alto & Chorus) - Domine Deus, Agnus Deiġ0. It really is a work full of character, which, from its opening rush, never stops. Polished singing and playing from soloists and The Sixteen make this a disc that will please all lovers of this irrepressible music.Ĩ. Vivaldis Gloria University of North Texas College Concerts 43.3K subscribers Subscribe 4.5M views 11 years ago Gloria, RV 589. Here it fittingly complements Bach’s joyful Magnificat. Not much is expanding in the classical recording industry at the moment, but Vivaldi does seem to be a growth industry. Galante, a trained pianist as well as a dancer, had carefully. Sealed Classical LP: Robert Shaw - Vivaldi: Gloria / Kyrie - RCA Red Seal ,Rca Victor Records - Etsy,Never Opened Vintage RCA good seal Vivaldi Gloria Vinyl Record ,Discography of Leopold Stokowski Recordings 1960-1977,The Front Line (1976, Vinyl) - Discogs,Antonio Vivaldi Konzerte (1976, Vinyl) - Discogs,A.
Along with the “Gloria” come two shorter liturgical works, “Nisi Dominus” and “Nulla in mundo pax sincera,” and all of it is exquisitely done.Vivaldi’s Gloria is his best-known sacred work. The program included another premiere, Marcus Galantes Sonata Russe, to a recording of Prokofievs Violin Sonata No. Atop it all are solo contributions of gleaming, elegant urgency from soprano Julia Lezhneva and countertenor Franco Fagioli, who seem to be competing to see who can muster the most shimmery vocal tone or execute the most flawless ornamentation. The piece is, hands down, the best known of all his choral works, and its frequent performances are not only because it is a very nice piece, but also because it is not at all demanding chorally. An additional Gloria, RV 588 (fated to be known as the other Gloria, thanks to the popularity of RV 589) is almost identical to 589 Vivaldi was a big self-borrower. It was at this festival that the Gloria was heard for the first time since Vivaldi’s day. But on the other hand, how can we do without a performance as vivid, as muscular, as radiantly beautiful as this one? Conductor Diego Fasolis makes clear right from the start that this is going to be a booming, heavyweight account, and the rest of the disc is marked by rhythmic momentum, fearless playing from the period ensemble I Barocchisti and lustrous, beautifully blended choral singing. Vivaldi ended up being responsible for sacred vocal composition at the Piet until around 1718, despite being a violinist and an instrumental composer. No, of course we don’t need yet another recording of the Vivaldi “Gloria” - it’s one of the most abundantly performed sacred works of the Baroque period, and for good reason.
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